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Search the history of over billion web pages on vree Internet. Capture a web page as it appears now for use as a trusted citation in the future. Total Views Older Stats. Pod execute the sounds free download Items 32 Older Stats. Search icon An illustration of a magnifying glass. User icon An illustration of a person\’s head and chest. Sign up Log in. Web icon An illustration of a computer application window Wayback Machine Texts icon An illustration of an open book.

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Sign up for free Log in. Execute Sounds Podcast Execute Sounds. Media Type Media Type. Year Year. Collection Collection. Creator Creator. Language Language. Sep 2, by DJ. More CC. I pre-recorded Jan 11, pod execute the sounds free download DJ. I pre-recorded at least 15 hour long shows and May 5, by Rfee. Apr 9, by DJ Concept. Black Milk – Mo Power Tools f. Feb 21, by DJ. I pre-recorded at least 15 hour long shows and handed them off sunds Sirius but a shift in managment doomed the shows sownload never be heard by the masses Jan 7, by DJ Concept.

Skyzoo – Intro Skyzoo feat. Info Skyzoo feat. Dec 4, by Execcute. But for how long? Sounes and Chief Chinchilla took 2 months off to promote their Live The Liqua Sto album and while the sohnds was fun and fresh, their current situation isn\’t. Like anything else, money or lack of has created a rift between these 2 clowns.

The economy is screwing just about everybody at the moment and Zone and Chief are just souunds of millions of In December they\’re Dead Broke! But pod execute the sounds free download their financial woes and ensuing beef Nov 26, by DJ Concept.

Fashawn feat. Evidence – Our Way Outerspace feat. Nov 20, by DJ Mickey Knox. Sep 17, by J-Zone. Unless you have http://replace.me/25369.txt standards or you\’re famous, you\’ve been there. Popcaan real badman download lying.

The cylinders just ain\’t clickin\’ ladies and gentlemen. That best of Sade CD or nowadays your \”midnight passion\” play list on the ipod ain\’t been used in forever. Your hormones have you running through every number in frde cel and emailing every loose strand you ever messed with or never got a chance to mess with.

Some people even go as far as to call up that ex fit for a Jerry Springer episode Aug 6, by J-Zone. I never did smoke much weed beause a I was too cheap and b you pod execute the sounds free download can tell what else is in it these pod execute the sounds free download.

Chief didn\’t get that memo and he\’s actin\’ a damn fool more so than usual as he\’s become a temporary drug addict due to some ruthless player Jun 7, by J-Zone. We did it! No theme, just an hour of good music and insanity.

In true anticlimactic основываясь на этих данных, we\’re taking July off from the show to clear our heads pod execute the sounds free download catch up on real life things. Take that time to catch up on past shows you missed and we\’ll see you in August! But for now enjoy Victory, our poe year anniversary show Intro 2. May 3, by J-Zone. May brings a lot of things. No talent video ho\’s and non-singin cluckaroos with cute faces gets no love in these parts.

So from Queens Apr 3, by J-Zone. Jail ain\’t a place for 4 foot pod execute the sounds free download Chinchillas But Chief Chinchilla landed himself there like an ass. Oh well Then it pays Mar 6, by J-Zone. J-Zone and Chief Chinchilla Present You either love execuge or hate em. Me and Chief Chinchilla are at odds over the issue, but whatver your opinion we got somethin for you.

So therefore After that, I\’m Mar 1, by DJ. Mar 1, by DJ Mickey Knox. In the trenches of rap. Feb 7, by J-Zone. J-Zone and Chief Chinchilla present The hate parade brought by the hate brigade continues!

Everybody knows February brings some nice things. But unfortunately it brings the absolute worst holiday of Dec fre, by J-Zone.

Happy New Year! How the hell are ya?!?! We didn\’t wanna start out on a serious note, but sometimes things don\’t go as planned. This special mixshow is for all of our \”friends\” at Execkte Donuts Dedicated to Elanor Bumpers, Sean Bell, Dec 6, by J-Zone. Every winter is an exhibition in drama and bad luck. Bein we all family, y\’all have pod execute the sounds free download suffer with me. Chief Chinchilla tried to pull me into a Christmas frwe, but my bad winter mood won\’t allow it.

Car trouble, public transpo, freezing temperatures, relatives and exes seeking gifts, Black Friday traffic, crowded donwload, snotnose kids in the stores being brats, god awful inescapable Christmas music, a sports injury, girl trouble or just going out to your car in 10 degree

 
 

Free Sound Effects for Podcasts – ZapSplat – Download free sound effects.Pod execute the sounds free download

 

No talent video ho\’s and non-singin cluckaroos with cute faces gets no love in these parts. So from Queens Apr 3, by J-Zone. Jail ain\’t a place for 4 foot 3 Chinchillas But Chief Chinchilla landed himself there like an ass. Oh well Then it pays Mar 6, by J-Zone. J-Zone and Chief Chinchilla Present You either love em or hate em.

Me and Chief Chinchilla are at odds over the issue, but whatver your opinion we got somethin for you. So therefore After that, I\’m Mar 1, by DJ. Mar 1, by DJ Mickey Knox. In the trenches of rap.

Feb 7, by J-Zone. J-Zone and Chief Chinchilla present The hate parade brought by the hate brigade continues! Everybody knows February brings some nice things. But unfortunately it brings the absolute worst holiday of Dec 30, by J-Zone. Happy New Year! How the hell are ya?!?! We didn\’t wanna start out on a serious note, but sometimes things don\’t go as planned. This special mixshow is for all of our \”friends\” at Dunkin Donuts Dedicated to Elanor Bumpers, Sean Bell, Dec 6, by J-Zone.

Every winter is an exhibition in drama and bad luck. Bein we all family, y\’all have to suffer with me. Chief Chinchilla tried to pull me into a Christmas theme, but my bad winter mood won\’t allow it.

Car trouble, public transpo, freezing temperatures, relatives and exes seeking gifts, Black Friday traffic, crowded malls, snotnose kids in the stores being brats, god awful inescapable Christmas music, a sports injury, girl trouble or just going out to your car in 10 degree Dec 1, by DJ. Nov 20, by DJ. Nov 2, by J-Zone.

Another November. More politics in your face. I don\’t care, its NBA time anyway. Chief Chinchilla and myself have never been ones for politics, but this theme is a timely and necessary follow up and change of pace from the ultra silly October edition of the show FreaXXXshow.

Don\’t get it wrong though. We\’re puttin many a politician on the Foreman Grill to fry over the perfect political soundtrack. Guaranteed to be unpleasant to jackasses, elephants and any other party that holds some Oct 2, by J-Zone.

What it is? Thanks to all that have shown love for the mixshow thus far. Chief Chinchilla and myself fully appreciate it. Being its getting chilly outside at least where I\’m at , it\’s only right we switch gators to furs. And being Halloween is in October, it\’s only right we dedicate this month to the freaks. Not necessarily ghosts, pumpkins and goblins, but human freaks. Like nympho freaks. From crude to cuddly, we got all the music you need.

A lot of people were waiting for a return to the Sep 2, by J-Zone. Labor Day sales, the return of Monday Night Football and more importantly, school, for those of us still there. Even if you ain\’t, you got plenty of memories. To all the kids, stay in school or you\’ll wind up like my co-host Chief Chinchilla making rainbow sprinkles for a living. Aug 10, by DJ Mickey Knox. Knox digs deep into the crates for some jems that you probably never heard but definitely should have.

Aug 4, by DJ. Aug 2, by J-Zone. Big up to all that have been supportin for the last few months. Ladies, maybe you dig a Cosmo or some other overpriced sugary umbrella drink. Whatever, drink one for me because yes I\’m gonna attempt to put my drinkin days behind me insert boos here.

For all that have Jun 26, by J-Zone. Big up to all that supported the inaugural June Gator. Bein\’ the summer is officially here its only right I do a summer theme for the July show. Whatever your situation is this summer, I\’m sure there\’s a joint for you in there somewhere. BBQ\’s, racial tension, girl watching, summer school, being a knucklehead, hot, sweatin and mad for no reason Jun 5, by J-Zone.

Now that I\’m steppin back from the mic to put focus to production and djing, its only right I kick it off with a lil monthly mixshow for fun. Budget depending, you might decide to go for one of the following:. I own two and I use them daily. The downside to this recorder is the price. The main downside to this recorder is the noisier preamps and more compact interface. From the H1N to the H6, each comes with their own pros and cons.

At the bottom end, the recorders tend to have noisier pre amps and hard to use controls, but towards the top-end, they certainly come close to rival the Sony devices.

With the Zoom recorders, the higher up the range you go, the more recording tracks you get. While we know many of our users are already using an audio editor to edit and mix their podcasts, for those that are new, we recommend you check out Audacity. One of the biggest advantages Audacity has over many of its rivals is its been around for years and has benefited from many collaborators using the software and working with the team to improve it. While we no longer use it ourselves, we would if we were in a situation where we had to choose fro the many free editors out there.

So we recommend you check it our. The documentation is fantastic and there are tons of video tutorials on YouTube you can watch to quickly master editing and mixing using it. Download Audacity for free here. There is a certain amount of technical knowledge required, but also as much, if not more artistic freedom too. I often hear works where people had just chucked the sounds in without too much care or attention to levels, effects and placement.

Ok, so this first one might make you say, what? But a podcast, much like a radio production is often not always lacking the visual side. Also, if your podcast is more factual, or of a sensitive nature, then adding sounds for the sake of it can not only take the focus away from the dialogue, but also runs the potential of being insensitive.

If your podcast subject is, for example, discussing something like mental health, or something equally as sensitive, often no sound is required, or maybe just some soothing nature ambience subtly playing underneath. All I can suggest here is think about your listeners, the subject matter and the vibe you want to create and try to use sound effects in a way that compliments it.

Sound travels around the environment it exists within. Higher frequency sounds move faster and bounce from the walls and other surfaces for longer. This is called reverb. That long echo-like sound is the sound bouncing around. You really want to avoid this to get a clear and clean recording.

Put simply, compression acts like a rubber band across your audio, squashing the louder peaks and boosting the quieter audio. It smoothens out the dynamic range, meaning that rather than having lots of loud peaks then quieter troughs, you get a smoother more consistent level. Commercial radio tends to use high compression across the audio. For the podcast I record, I always apply some soft compression on recording in real-time, then add more compression in the mix to help balance out the levels between the voices, music and sound effects.

I also tend to use a rough compression when arranging and setting levels for my final mix, then replace with the final compression when bouncing the track down. This helps to get rough levels and not have to make too many adjustments later. How loud is too loud? Have you mixed the sound so quiet, no one can hear it? Depending on what your podcast is about, take some time to consider the audio in the context of the listener and ask yourself, is the sound too loud?

Is it detracting from the dialogue? Has the focus shifted away from the dialogue and to the sounds? As I said before, there is no set rule and there is artistic freedom. I record and edit a podcast every 2 weeks which is based around sobriety. Mostly, the podcast is spoken word only with some music, however to keep the mood light hearted to balance out the serious nature of the message, we incorporate some sound effects.

Little touches that add realism. Music can be used to add atmosphere, set a certain tone or simply be used as a transition between sections. Most podcasts start with a theme, which could simply be spoken, a sound effect, musical or audio logo or an ident that informs the listener of your identity or brand. But music can also be played in the background to great effect. Soft relaxing music might add a calming or soothing effect to a sensitive subject, or might tell the listener that the message being conveyed is sincere.

We have a great selection of free royalty free music here. Music is often an integral part of the listing experience and there are some important factors to consider when sourcing, editing and adding music to your podcasts.

Jere we will break down some of the most important to remember. When a piece of music is created, copyright is automatically assigned to the work and it remains the copyright of the composer until 70 years after they die.

Also, pay particular attention to the frequencies in the music. Mid range frequencies can interfere with the frequencies of the human voice.

A professional sounding podcast pays attention to how the music fades in and out. Subtle fades in and out can help transition between sections, or allow your podcast to end on a nice note. An example would be:. Basic members can only download 3 sounds every 10 minutes to save bandwidth. Free Sound Effects for Podcasts A guide on finding the best sounds and making your podcast shine! Okay, tell me more about the types of sound effects I will be using.

Production elements Production elements are sounds used for things such as to enhance, add tension or drama to a scene, transitions, whooshes etc.

Some popular categories for sound effects you might find useful:. Horror backgrounds Hospital and medical Household room tones Factories Battles and war.

Wind backgrounds Storms and thunder Rain Ocean sounds Science fiction ambiences. To find out more on using our free sound effects in your podcasts, crediting us and more, click here. How do I credit ZapSplat?

 

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The economy is screwing just about everybody at the moment and Zone and Chief are just 2 of millions of In December they\’re Dead Broke! But will their financial woes and ensuing beef Nov 26, by DJ Concept. Fashawn feat. Evidence – Our Way Outerspace feat. Nov 20, by DJ Mickey Knox. Sep 17, by J-Zone. Unless you have no standards or you\’re famous, you\’ve been there. Stop lying. The cylinders just ain\’t clickin\’ ladies and gentlemen.

That best of Sade CD or nowadays your \”midnight passion\” play list on the ipod ain\’t been used in forever. Your hormones have you running through every number in your cel and emailing every loose strand you ever messed with or never got a chance to mess with.

Some people even go as far as to call up that ex fit for a Jerry Springer episode Aug 6, by J-Zone. I never did smoke much weed beause a I was too cheap and b you never can tell what else is in it these days. Chief didn\’t get that memo and he\’s actin\’ a damn fool more so than usual as he\’s become a temporary drug addict due to some ruthless player Jun 7, by J-Zone. We did it! No theme, just an hour of good music and insanity.

In true anticlimactic fashion, we\’re taking July off from the show to clear our heads and catch up on real life things. Take that time to catch up on past shows you missed and we\’ll see you in August! But for now enjoy Victory, our one year anniversary show Intro 2. May 3, by J-Zone. May brings a lot of things. No talent video ho\’s and non-singin cluckaroos with cute faces gets no love in these parts. So from Queens Apr 3, by J-Zone. Jail ain\’t a place for 4 foot 3 Chinchillas But Chief Chinchilla landed himself there like an ass.

Oh well Then it pays Mar 6, by J-Zone. J-Zone and Chief Chinchilla Present You either love em or hate em. Me and Chief Chinchilla are at odds over the issue, but whatver your opinion we got somethin for you.

So therefore After that, I\’m Mar 1, by DJ. Mar 1, by DJ Mickey Knox. In the trenches of rap. Feb 7, by J-Zone. J-Zone and Chief Chinchilla present The hate parade brought by the hate brigade continues! Everybody knows February brings some nice things. But unfortunately it brings the absolute worst holiday of Dec 30, by J-Zone. Happy New Year!

How the hell are ya?!?! We didn\’t wanna start out on a serious note, but sometimes things don\’t go as planned. This special mixshow is for all of our \”friends\” at Dunkin Donuts Dedicated to Elanor Bumpers, Sean Bell, Dec 6, by J-Zone. Every winter is an exhibition in drama and bad luck. Bein we all family, y\’all have to suffer with me. Chief Chinchilla tried to pull me into a Christmas theme, but my bad winter mood won\’t allow it. Car trouble, public transpo, freezing temperatures, relatives and exes seeking gifts, Black Friday traffic, crowded malls, snotnose kids in the stores being brats, god awful inescapable Christmas music, a sports injury, girl trouble or just going out to your car in 10 degree Dec 1, by DJ.

Nov 20, by DJ. Nov 2, by J-Zone. Another November. More politics in your face. I don\’t care, its NBA time anyway. Chief Chinchilla and myself have never been ones for politics, but this theme is a timely and necessary follow up and change of pace from the ultra silly October edition of the show FreaXXXshow. Don\’t get it wrong though. We\’re puttin many a politician on the Foreman Grill to fry over the perfect political soundtrack.

Guaranteed to be unpleasant to jackasses, elephants and any other party that holds some Oct 2, by J-Zone. What it is? Thanks to all that have shown love for the mixshow thus far. Chief Chinchilla and myself fully appreciate it. Audio editors almost always come with some form of time and pitch processors, and simply by lowering the pitch, the sound will become longer. The obvious drawback here is the lower pitched sound. It might sound completely unnatural, so use with caution.

Time stretching: Time stretching is a process that changes the duration of a sound file without altering its pitch. This method can work well, however it can also add artefacts to the sound that make it sound very unnatural, almost science fiction like.

For me, this is usually a last resort. Some examples of these are things like glass breaking, doors opening and closing, dogs barking etc. At ZapSplat, we try to record and include various versions for many of our spot sounds, often at different intensities or on different surfaces etc. When using spot sounds, make sure to match the audio with the action or event it represents by intensity and material. All too often I hear people get this wrong.

Sometimes overly exaggerated effects work, like cartoons and animations, however be sure to really consider all the factors to get the right balance. There are far too many categories to even make suggestions, so I suggest you head over to our main Categories Page to search our sounds. Production elements are sounds used for things such as to enhance, add tension or drama to a scene, transitions, whooshes etc.

They are often designed rather than organic or natural. Production elements are likely to be very useful for many types of podcasts, especially to enhance movement between segments and things like that.

The two most useful categories for these are Multimedia and Sound Design. There are a few questions we get asked Frequently regarding attribution and complying with our License Agreement, so here we will clear up a few of those questions.

We have made this easy and there are a number of ways you can do it. The most common method is to mention ZapSplat in your podcast description that the sound effects were obtained from ZapSplat. Our contributors aways welcome a little recognition for their work. Or if you prefer, you can credit is verbally in the podcast. As per our License Agreement, yes you are required to credit us as a Basic member. However to remove this requirement, you can upgrade for the price of a coffee which removes the need to attribute us.

To find our more about that, click here. Yes, they are. There are no limits. Budget depending, you might decide to go for one of the following:. I own two and I use them daily. The downside to this recorder is the price. The main downside to this recorder is the noisier preamps and more compact interface. From the H1N to the H6, each comes with their own pros and cons. At the bottom end, the recorders tend to have noisier pre amps and hard to use controls, but towards the top-end, they certainly come close to rival the Sony devices.

With the Zoom recorders, the higher up the range you go, the more recording tracks you get. While we know many of our users are already using an audio editor to edit and mix their podcasts, for those that are new, we recommend you check out Audacity. One of the biggest advantages Audacity has over many of its rivals is its been around for years and has benefited from many collaborators using the software and working with the team to improve it.

While we no longer use it ourselves, we would if we were in a situation where we had to choose fro the many free editors out there. So we recommend you check it our. The documentation is fantastic and there are tons of video tutorials on YouTube you can watch to quickly master editing and mixing using it.

Download Audacity for free here. There is a certain amount of technical knowledge required, but also as much, if not more artistic freedom too. I often hear works where people had just chucked the sounds in without too much care or attention to levels, effects and placement.

Ok, so this first one might make you say, what? But a podcast, much like a radio production is often not always lacking the visual side. Also, if your podcast is more factual, or of a sensitive nature, then adding sounds for the sake of it can not only take the focus away from the dialogue, but also runs the potential of being insensitive.

If your podcast subject is, for example, discussing something like mental health, or something equally as sensitive, often no sound is required, or maybe just some soothing nature ambience subtly playing underneath. All I can suggest here is think about your listeners, the subject matter and the vibe you want to create and try to use sound effects in a way that compliments it. Sound travels around the environment it exists within.

Higher frequency sounds move faster and bounce from the walls and other surfaces for longer. This is called reverb. That long echo-like sound is the sound bouncing around. You really want to avoid this to get a clear and clean recording. Put simply, compression acts like a rubber band across your audio, squashing the louder peaks and boosting the quieter audio. It smoothens out the dynamic range, meaning that rather than having lots of loud peaks then quieter troughs, you get a smoother more consistent level.

Commercial radio tends to use high compression across the audio. For the podcast I record, I always apply some soft compression on recording in real-time, then add more compression in the mix to help balance out the levels between the voices, music and sound effects. I also tend to use a rough compression when arranging and setting levels for my final mix, then replace with the final compression when bouncing the track down.

This helps to get rough levels and not have to make too many adjustments later. How loud is too loud? Have you mixed the sound so quiet, no one can hear it? Depending on what your podcast is about, take some time to consider the audio in the context of the listener and ask yourself, is the sound too loud?

Is it detracting from the dialogue? Has the focus shifted away from the dialogue and to the sounds?

 
 

Pod execute the sounds free download

 
 

Jun 7, by J-Zone. We did it! No theme, just an hour of good music and insanity. In true anticlimactic fashion, we\’re taking July off from the show to clear our heads and catch up on real life things. Take that time to catch up on past shows you missed and we\’ll see you in August! But for now enjoy Victory, our one year anniversary show Intro 2. May 3, by J-Zone. May brings a lot of things. No talent video ho\’s and non-singin cluckaroos with cute faces gets no love in these parts.

So from Queens Apr 3, by J-Zone. Jail ain\’t a place for 4 foot 3 Chinchillas But Chief Chinchilla landed himself there like an ass. Oh well Then it pays Mar 6, by J-Zone. J-Zone and Chief Chinchilla Present You either love em or hate em. Me and Chief Chinchilla are at odds over the issue, but whatver your opinion we got somethin for you. So therefore After that, I\’m Mar 1, by DJ. Mar 1, by DJ Mickey Knox.

In the trenches of rap. Feb 7, by J-Zone. J-Zone and Chief Chinchilla present The hate parade brought by the hate brigade continues! Everybody knows February brings some nice things. But unfortunately it brings the absolute worst holiday of Dec 30, by J-Zone. Happy New Year! How the hell are ya?!?! We didn\’t wanna start out on a serious note, but sometimes things don\’t go as planned. This special mixshow is for all of our \”friends\” at Dunkin Donuts Dedicated to Elanor Bumpers, Sean Bell, Dec 6, by J-Zone.

Every winter is an exhibition in drama and bad luck. Bein we all family, y\’all have to suffer with me. Chief Chinchilla tried to pull me into a Christmas theme, but my bad winter mood won\’t allow it. Car trouble, public transpo, freezing temperatures, relatives and exes seeking gifts, Black Friday traffic, crowded malls, snotnose kids in the stores being brats, god awful inescapable Christmas music, a sports injury, girl trouble or just going out to your car in 10 degree Dec 1, by DJ.

Nov 20, by DJ. Nov 2, by J-Zone. Another November. More politics in your face. I don\’t care, its NBA time anyway. Chief Chinchilla and myself have never been ones for politics, but this theme is a timely and necessary follow up and change of pace from the ultra silly October edition of the show FreaXXXshow.

Don\’t get it wrong though. We\’re puttin many a politician on the Foreman Grill to fry over the perfect political soundtrack. Guaranteed to be unpleasant to jackasses, elephants and any other party that holds some Oct 2, by J-Zone. What it is? Thanks to all that have shown love for the mixshow thus far. Chief Chinchilla and myself fully appreciate it. Being its getting chilly outside at least where I\’m at , it\’s only right we switch gators to furs.

And being Halloween is in October, it\’s only right we dedicate this month to the freaks. Not necessarily ghosts, pumpkins and goblins, but human freaks.

Like nympho freaks. From crude to cuddly, we got all the music you need. A lot of people were waiting for a return to the Sep 2, by J-Zone. Labor Day sales, the return of Monday Night Football and more importantly, school, for those of us still there.

Even if you ain\’t, you got plenty of memories. To all the kids, stay in school or you\’ll wind up like my co-host Chief Chinchilla making rainbow sprinkles for a living. Aug 10, by DJ Mickey Knox. Knox digs deep into the crates for some jems that you probably never heard but definitely should have. Aug 4, by DJ. Aug 2, by J-Zone. Big up to all that have been supportin for the last few months. Ladies, maybe you dig a Cosmo or some other overpriced sugary umbrella drink.

Whatever, drink one for me because yes All too often I hear people get this wrong. Sometimes overly exaggerated effects work, like cartoons and animations, however be sure to really consider all the factors to get the right balance.

There are far too many categories to even make suggestions, so I suggest you head over to our main Categories Page to search our sounds. Production elements are sounds used for things such as to enhance, add tension or drama to a scene, transitions, whooshes etc.

They are often designed rather than organic or natural. Production elements are likely to be very useful for many types of podcasts, especially to enhance movement between segments and things like that. The two most useful categories for these are Multimedia and Sound Design. There are a few questions we get asked Frequently regarding attribution and complying with our License Agreement, so here we will clear up a few of those questions.

We have made this easy and there are a number of ways you can do it. The most common method is to mention ZapSplat in your podcast description that the sound effects were obtained from ZapSplat. Our contributors aways welcome a little recognition for their work. Or if you prefer, you can credit is verbally in the podcast. As per our License Agreement, yes you are required to credit us as a Basic member. However to remove this requirement, you can upgrade for the price of a coffee which removes the need to attribute us.

To find our more about that, click here. Yes, they are. There are no limits. Budget depending, you might decide to go for one of the following:. I own two and I use them daily. The downside to this recorder is the price. The main downside to this recorder is the noisier preamps and more compact interface. From the H1N to the H6, each comes with their own pros and cons. At the bottom end, the recorders tend to have noisier pre amps and hard to use controls, but towards the top-end, they certainly come close to rival the Sony devices.

With the Zoom recorders, the higher up the range you go, the more recording tracks you get. While we know many of our users are already using an audio editor to edit and mix their podcasts, for those that are new, we recommend you check out Audacity. One of the biggest advantages Audacity has over many of its rivals is its been around for years and has benefited from many collaborators using the software and working with the team to improve it.

While we no longer use it ourselves, we would if we were in a situation where we had to choose fro the many free editors out there. So we recommend you check it our. The documentation is fantastic and there are tons of video tutorials on YouTube you can watch to quickly master editing and mixing using it. Download Audacity for free here. There is a certain amount of technical knowledge required, but also as much, if not more artistic freedom too. I often hear works where people had just chucked the sounds in without too much care or attention to levels, effects and placement.

Ok, so this first one might make you say, what? But a podcast, much like a radio production is often not always lacking the visual side. Also, if your podcast is more factual, or of a sensitive nature, then adding sounds for the sake of it can not only take the focus away from the dialogue, but also runs the potential of being insensitive.

If your podcast subject is, for example, discussing something like mental health, or something equally as sensitive, often no sound is required, or maybe just some soothing nature ambience subtly playing underneath. All I can suggest here is think about your listeners, the subject matter and the vibe you want to create and try to use sound effects in a way that compliments it. Sound travels around the environment it exists within.

Higher frequency sounds move faster and bounce from the walls and other surfaces for longer. This is called reverb.

That long echo-like sound is the sound bouncing around. You really want to avoid this to get a clear and clean recording.

Put simply, compression acts like a rubber band across your audio, squashing the louder peaks and boosting the quieter audio. It smoothens out the dynamic range, meaning that rather than having lots of loud peaks then quieter troughs, you get a smoother more consistent level.

Commercial radio tends to use high compression across the audio. For the podcast I record, I always apply some soft compression on recording in real-time, then add more compression in the mix to help balance out the levels between the voices, music and sound effects.

I also tend to use a rough compression when arranging and setting levels for my final mix, then replace with the final compression when bouncing the track down. This helps to get rough levels and not have to make too many adjustments later. How loud is too loud? Have you mixed the sound so quiet, no one can hear it? Depending on what your podcast is about, take some time to consider the audio in the context of the listener and ask yourself, is the sound too loud?

Is it detracting from the dialogue? Has the focus shifted away from the dialogue and to the sounds? As I said before, there is no set rule and there is artistic freedom. I record and edit a podcast every 2 weeks which is based around sobriety.

Mostly, the podcast is spoken word only with some music, however to keep the mood light hearted to balance out the serious nature of the message, we incorporate some sound effects. Little touches that add realism. Music can be used to add atmosphere, set a certain tone or simply be used as a transition between sections.

Most podcasts start with a theme, which could simply be spoken, a sound effect, musical or audio logo or an ident that informs the listener of your identity or brand. But music can also be played in the background to great effect. Soft relaxing music might add a calming or soothing effect to a sensitive subject, or might tell the listener that the message being conveyed is sincere.

We have a great selection of free royalty free music here.