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As an Amazon Associate I earn from qualifying purchases. Thanks for your support! Nikon Rumors. Skip to content. Dpreview posted another vanilla interview with Nikon executives ».

No related posts. Bookmark the permalink. I bought C1 not that long ago and don\’t qualify for the free upgrade, boo! As it is, C1 21 does more than I need it to, which is to add my own simple colour style to my images. I doubt the newer version adds anything critical for me so could easily wait a good number of years before upgrading.

I was always skipping one version before updating, but with current price policy of Phase One, that doesn\’t seem possible anymore.

C1 has the worst licensing models. I bought it because of its perpetual promise which falls flat the moment you get a new camera but want to be using the same limited functions in the version you bought.

What they did with the Pentax z unsupported BS is also cringe worthy, nobody is asking them to support z, they purposely block it even though its the same sensor for fuji , hassy, phase one. If it was a small payment for existing users, it would be fine but C1 charges a whole new program price for minor upgrades. As many mentioned below, every year the updrading just renders the \”life-time\” meaning less.

The actual benefit of upgrading is questionable, but obviously it tries to force you to pay the \”annual fee\”, even you chose a \”life time license\”. Another good example is that as a subscriber, the upgrading is free!

It tries to be better than Adobe, but anyone with a proper brain would realize that these is no difference. I am still using my lightroom 6 and adobe creative cs5. All I have to do is convert to dng.

If they added features that i really care about maybe I will upgrade, I am not a digital artist. I think i got capture 1 pro 12 on sale for half off still using it. All that money i saved all those years haha. It just seems like they\’re not even trying anymore, and I\’m not sure they even have software developers working on certain programs I guess, at least if you buy it outright, not only do you own a copy of the software, you are not forced into upgrading and can run the version you own for as long as you like and as long as you don\’t need any newer features.

Subscriptions keep you paying money as if you would automatically upgrade to every new version and you loose the software the moment you stop paying. The C1 styles are the single worst thing I have ever wasted my money on. Cost a fortune, all are a pretty poor. Do what I do and make your own styles. It really isn\’t that hard. I would never purchase styles when I have bought the software that makes it possible for me to create my own.

Most style packs come with maybe only one or two styles you would actually use anyway. Their styles are a complete waste of money for me. The fact they went down this road to try to improve revenue weakens the product because you can not use standard LUTs to colour grade.

I don\’t expect any company to sell software and update it perpetually for a one-time fee. That\’s not a recipe for survival. But I do expect upgrading to be optional, based on the benefits offered. No bang, no buck. Stitching and decent HDR would be something worth paying for.

The ability to open files from 5 new cameras I don\’t own would not be worth anything, yet I pay Adobe every month, regardless. The lifetime licence means the software won\’t time-out after a while. It doesn\’t get you updates past the first year They hope users to upgrade, like every other software manufacturer. But you don\’t have to, contrary to a subscription model. It\’s easy to create your own styles, based on your own liking and taste.

I don\’t pay a subscription fee as, like you say, I don\’t want to pay for features I wont use. Also subscriptions only have two or three different versions of the software and after a while they drop the oldest version so you\’d be forced to upgrade if you find a particular version you like.

I prefer the \’one off\’ cost, then I can upgrade to a newer version several years down the line, therefore saving money in the long run. We should be able to have a one off purchase on software and free camera compatibility upgrades.

To me this would be the main reason to getting C1. They still have to spend time and effort supporting the R3, presumably they would have to charge you more for 21 in order to cover those costs Well it isn\’t like they charge you extra money to support your new camera profile. Instead they also charge you money to support ALL the other cameras included in an upgrade.

So you are in essence paying for a support library far greater than your needs. It is one thing I liked about adobe. After all profile support should in fact not cost extra. At least not hundreds of euros. It is work they need to do anyways after all. I\’m on v20 right now but an upgrade will end up running me as much as a full license when it goes on sale, so unless they don\’t run as many sales in the future or also put the upgrades on sale they\’ve really devalued their upgrade pricing.

Please stop parroting marketing BS. This is not a lifetime license. But five years down the line, when you are forced to purchase a newer version compatible with your OS and or current camera RAW files, think of the money you saved not having to pay the subscription fee for five years. In this way they will continue taking your money indefinitely.

At the end of the day, there is no difference to Adobe model. If you are on MacOS, then yes the program will only be good for max 5 years before an os upgrade will break it. But on windows, well i still use Photoshop CS2 and I can\’t see any reason to upgrade it. And I still use Visual Basic 6 which is about 30 years old now and runs on windows If it\’s any good, it\’ll save me a round trip or two to other dedicated products.

Just keep in mind that if you buy the manufacturer-specific version, all your RAW files from other manufacturers aren\’t supported.

That used to be a really good deal. They usually do that about May each year if I remember correctly. And with the updates to Lightroom and the R5 profiles, I\’m pretty sure I\’m going to save money and go with Adobe now. But I\’ll keep CaptureOne around as long s it\’s viable for those special color adjustments.

To be honest that\’s a pretty good deal, as you get to use C1 V21 now and then get another years use of C1 Seems ok to me, but I am on a subscription model for Nikon only. The biggest thing that forces you to upgrade is camera support, since older versions don\’t support new cameras. If you buy new camera bodies as they come out, you\’ll probably need the latest version of Capture One. Even more reason not to upgrade your camera or software so often and make use of the perfectly good equipment you already have.

I\’m generalising of course as everyone\’s needs differ but I\’d say for a lot of dedicated enthusiasts, this is probably true. I wish there was a subscription based version that lets you only edit maybe photos per months but costs only 10 bucks per month.

I figure I\’ll probably keep getting every other version I remember how much 5, images a year would have cost to develop and print in the days of film and your comment just seems out of touch and even a bit ludicrous. SilvanBromide, umm, criticizing another poster of being \”out of touch\” and then relating to the costs of the film days at the same time In any case, I also think that 5k images isn\’t actually that bad. I don\’t have that many that I keep and still I find a software such as C1 very helpful.

And that a few cents per image over the span of a year or two isn\’t unreasonable compared to most of the alternatives digital OR film. So you can pay for the next version now and get it later.. Yes I have the current C1 and have upgraded for some time, but its still, by a mile, the most expensive raw development software, with the worst noise reduction of them all – but of you want to just throw images into it and get results with a nice pop it isn\’t bad Exactly my thought.

The next versione is just around the corner so this buy one and get one free scheme is quite a stretch. Perhaps this is a move away from enticing punters with discounts to buy sight unseen versions like last time. I don\’t think this offer is aimed at people like you who already have the current version, but it can be enticing for those who don\’t already have C1 or are on an older version.

If you don\’t know how to use NR properly, then you really shouldn\’t comment. I agree with those who are feeling burned by the increased cost of upgrading with very limited return, but to say that C1 is inferior at NR or pretty much any other major image alteration element simply is not in tune with reality.

The full license and subscription pricing isn\’t an issue for those who want the best possible RAW processing – and have done the proper comparisons with the offerings that have so clearly fallen behind. I personally think it is great software that allows me to edit images in a very efficient way thanks to, for instance, the configurable keyboard shortcuts.

However, it does have its peculiarities. Halos at the edges of darkened areas e. These can be corrected to some extent with negative structure. I\’ve done a lot of work on NR and I\’m very comfortable saying C! Alas we can\’t post sample images here. In C1P I found it still has a ton of artefacts after you lose the obvious noise I could get the people looking quite good, but everything else was nasty.

Plus annoyingly there will always be a deal along to make you feel bad if you paid the full price I\’ll wait and see if they improved the database speed. I can open my image collection in Media Pro and search through it in 1 minute.

In Capture One it takes 1 hour. So I\’ll stay on version 20 for now. And fixed all the various catalog related bugs and instabilities, at least on the Windows platform. There is always special when a company is \”asking\” for more money. The bait will attract the sheep for sure! As a long time LR user, subscription model, who bought C1 20 with the concept of perpetual license, no more subscription. Seeming like the benefits to perpetual license are more an illusion of control than an actual functional benefit.

So far, I take photos commercially and it is not a problem for me to buy the latest version of CO I still skip one version. However, after I finish a commercial photo shoot, or something forces me to quit or, for example, a new version of CO does not bring me anything like 20 vs 21 nothing forces me to buy a new version. What will I get when I stop paying Adobe subscriptions. It\’s not that difficult. I mean I\’ve been using the same C1 version since early , with no intent to upgrade until major new features like HDR land.

Choosing when and for how much I decided to upgrade is still somewhat more flexible than the sub model IMO, but there\’s also a ton of value in Adobe\’s CC sub. OP: i feel your pain pal. I got the same bombardment since I refused to upgrade to a smartphone all those years ago. A single day doesn\’t go by without some cheeky profiteering company trying to tell me what I am missing out. And the manufacturer of my car now tells me I can buy a new electric model that goes times the distance for the same cost compared to the petrol one they sold me last year!

Greedy bastards! I wish they would just stop developing new things every year, or at least upgrade me for free! Heh, I\’m curious to see if they keep handling sales the same way and running them as frequently, it nearly makes upgrade pricing irrelevant IMO So yeah imma wait a bit on v20 as well. I\’m glad to see them giving a bit more information on the upgrades than they have in the past few years.

This also seems like a bit meatier upgrade that the last few. Will wait for DXO Photolab 5 than. Let\’s wait and see what they have to offer. Because they do camera specific versions for those three. I think for a long time Sony was the only one. You got a free version and can still get the free version made available to you if you bought a Sony.

The cash is for the full version which used to be called Capture One Pro I think. They changed the naming a couple of years ago confusingly. Why should I as a owner of a different brand camera pay more? Let Capture One make the same price point for every user to make me a customer. They need customers, as a potential use I have multiple alternatives. The brand-specific versions are cheaper because they have less functionality they only work with raw files from one brand.

As already said, if the other manufacturers aren\’t interested in such a deal, that\’s not really the fault of Phase One. There is a full version that does all raw files of all brands. Then there is a paid pro version that only does raw files for Sony, Nikon or Fujifilm – then there is a cut down version for those 3 systems which only work for their raw files and is free.

No lens data, no serial number, few lens profiles, no pixel shift support, no tethering etc. I have been asking CO for better Pentax support for nearly a decade – response — crickets. I still do not know if they support the Z PEF files. There are work arounds but you have to edit the EXIF in order to get it to work. There is a comparison on their website. Colour balance, a tool that lets you adjust the colour tone for shadow, mids and highlights is a tool well worth the upgrade for me.

Topaz Labs coupon code What\’s next? What else is new? Zeiss ZX1. Disclaimer: PhotoRumors. All trademarks and brands belong to their respective owners. Disclosure: PR is sponsored by companies and affiliate partners that display various advertising banners and links see our Privacy Policy.

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